I have a fascination for the number 5 and everything that’s associated with it. In guitar terms this translates to pentatonic scales, running right from those early days of discovering the intoxicating possibilities of the…
Leave a CommentCategory: Intermediate Plateau
If you’re still with me, we’ll dedicate this part to summarizing and consolidating what we’ve learned so far into a usable system that you can implement on the fretboard, rather than worrying about making immense…
Leave a CommentLet’s continue our analysis by looking at more complex chords and their corresponding intervals. Minor 7 chords contain the intervals 1, ♭3, 5, ♭7 as you can see below. Let’s take a look at our…
Leave a CommentYou’ve reached the turning point! If you’ve been practicing the material in the previous parts, and depending on how long you’ve been playing, you’ll most likely have to fight with yourself NOT to revert to…
Leave a CommentRead Part 3 here. The Perfect 4thThe perfect 4th is the ‘Smoke on the Water’ interval, where it’s used to great effect. In a scale, it’s usually an interval you won’t want to spend a…
Leave a CommentCheck out Part 2 here. 3 and 7 Combinations IIWe need to be fluent in recognizing intervals going in all directions on the guitar. Take a look at our 3 and 7 interval combinations again,…
Leave a CommentCheck out Part 1 here. In practice, we use a combination of note names and intervals to navigate the fretboard. Note names are our GPS: they get us to the right place on the fretboard,…
Leave a CommentThis leads on from what I was talking about in a previous article but it applies more specifically to intermediate guitarists, or those that are stuck on the so-called intermediate plateau. I say so-called because…
Leave a CommentIf you haven’t heard of Udemy, it’s an online learning platform aimed at adults who want to gain or improve their skills, or explore their passions in pretty much any discipline you can imagine. The…
Leave a CommentI can’t remember where I saw this but it’s a great exercise for improving your phrasing, as well as getting out of scale ruts and so forth. It’s similar to the idea we looked at…
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