What we need to do now is approach our arpeggios, scales and modes through formulas instead of any kind of time-consuming patterns or shapes. The…
Leave a CommentCategory: Triads
Let’s look at the major and dominant side of triad soloing. To get a major triad, all we need to is raise the b3 to…
Leave a Comment
In Part 1, I mentioned that 4-note clusters are actually better for learning triad soloing than triads themselves. This is because 4-note clusters are the…
Leave a Comment
This series of lessons is both a continuation of the How to (Finally) Learn Your Fretboard series, as well as an in-depth look at triad…
Leave a Comment
If you’re still with me, we’ll dedicate this part to summarizing and consolidating what we’ve learned so far into a usable system that you can…
Leave a Comment
In Part 7, we turn our attention to major chords and scales on our journey to learning the fretboard, which for me means becoming self-sufficient…
Leave a Comment
I’m constantly looking for more practical ways to learn things on guitar, especially the tedious stuff like scales, arpeggios and triads. Triads are a great…
Leave a Comment
I see this a lot with beginners and experienced guitarists alike. Most of us start out by learning a selection of open chords, next we…
Leave a Comment
In my opinion, the hallmark of good blues soloing is the ability to seamlessly blend major and minor scales/licks/runs to exploit that minor/major third ambiguity…
Leave a Comment
Triads are incredibly useful on guitar, not only for building chords and arpeggios, but for soloing too, and especially soloing over chord changes. If you…
Leave a Comment