How to Make Triad Soloing Work (Part 4)

What we need to do now is approach our arpeggios, scales and modes through formulas instead of any kind of time-consuming patterns
Game-changing Guitar Stuff
What we need to do now is approach our arpeggios, scales and modes through formulas instead of any kind of time-consuming patterns
Let’s look at the major and dominant side of triad soloing. To get a major triad, all we need to is raise
In Part 1, I mentioned that 4-note clusters are actually better for learning triad soloing than triads themselves. This is because 4-note
This series of lessons is both a continuation of the How to (Finally) Learn Your Fretboard series, as well as an in-depth
If you’re still with me, we’ll dedicate this part to summarizing and consolidating what we’ve learned so far into a usable system
In Part 7 of our series on how to learn the fretboard, we turn our attention to major chords and scales on
I’m constantly looking for more practical ways to learn things on guitar, especially the tedious stuff like scales, arpeggios and triads. Triads
I see this a lot with beginners and experienced guitarists alike. Most of us start out by learning a selection of open
In my opinion, the hallmark of good blues soloing is the ability to seamlessly blend major and minor scales/licks/runs to exploit that
Triads are incredibly useful on guitar, not only for building chords and arpeggios, but for soloing too, and especially soloing over chord