This is a great one to easily generate a Lydian sound over a major 7 chord by using none other than a guitarist’s best friend: the minor pentatonic scale, which is a great way to…
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This is something that a lot of players dismiss because they think they must learn 5 or 7 patterns for each scale in all keys, which if you think about it is probably not the…
One CommentThis is an excerpt from 25 Guitar Scale Hacks, check out the full eBook here. If you’re getting into blues soloing, you’re probably already familiar with the minor/major pentatonic and blues scales. While these scales…
Leave a CommentThis was a real eye-opener for me as I’d never been a fan of learning those ‘etude’ style arpeggio shapes, especially if they were based on the CAGED System. Back at Music College, and after…
2 CommentsAs guitarists, we tend to get comfortable with our playing at a certain level and not venture out of our comfort zones too often, especially if there’s no one close at hand that’s better than…
Leave a CommentIn this series, we’re taking a look at what I like to call, ‘fretboard motion’, which is ways of moving around the fretboard that create musical motion and avoid obvious sounding scale patterns, licks and…
Leave a CommentTriads are incredibly useful on guitar, not only for building chords and arpeggios, but for soloing too, and especially soloing over chord changes. If you know your triads inside-out on the fretboard, you’ve laid the…
Leave a CommentMusic theory is still somewhat of a mystery for a lot of guitarists, but most have that nagging feeling that at some point they should learn some. Unfortunately, this is usually when they get stuck…
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