If you’re a long-time reader of this blog, you’ll know that I’m a huge Allan Holdsworth fan, and have studied his approach to scales, chords and music in general for a number of years. Allan…
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I’ve been a huge fan of 4NPS (four-note-per-string) scales ever since I first saw them on the Allan Holdsworth REH DVD back when it was a video cassette in the late 90s. If you’ve ever…
Leave a CommentNowadays, I play in fourths tuning (EADGCF) around 75% of the time because I love it, and the rest of the time I use standard (covers gigs, teaching, etc.) because it’s just more practical. However,…
Leave a CommentIn Part 1, we looked at dividing the fretboard up into string pairs in order play horizontally up and down the neck. In Part 2, we take the symmetry idea a little further by creating…
Leave a CommentIn honor of the passing of one of my most influential guitar heroes, Allan Holdsworth, and perhaps one of the most innovative guitarists of all time, I’d like to look at his use of diminished…
Leave a CommentOne of the great things about the guitar is the myriad of ways to play the same thing in various places on the neck, with different combinations of strings, as well as in different octaves.…
Leave a CommentOur latest eBook, ‘Shred Guitar Mechanics: Fretboard Dexterity through 4NPS Scales’, is the product of extensive research into the benefits of learning four-note-per-string (4NPS) scales on guitar, especially as regards shred playing or fast dexterous…
Leave a CommentEarlier this month we looked at 4NPS (four-note-per-string) scales as used by the likes of Allan Holdsworth in this article. There’s an interesting correlation between 3NPS and 4NPS patterns, in particular the fingering, which is…
Leave a CommentI first saw this on Allan Holdsworth’s REH DVD where he recommends learning scales using four notes per string instead of three. While this is doable up at the dusty end of the fretboard, there…
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