What we need to do now is approach our arpeggios, scales and modes through formulas instead of any kind of time-consuming patterns or shapes. The four-note clusters we’ve learned are the basis of many of…
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If you haven’t already, check out Part 1 and Part 2 of this series of posts as they relate to the major scale. In this third installment, we’ll be looking at yet more soloing options,…
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