
How to Make Triad Soloing Work (Part 4)
What we need to do now is approach our arpeggios, scales and modes through formulas instead of any kind of […]

What we need to do now is approach our arpeggios, scales and modes through formulas instead of any kind of […]

Let’s look at the major and dominant side of triad soloing. To get a major triad, all we need to […]

In Part 1, I mentioned that 4-note clusters are actually better for learning triad soloing than triads themselves. This is […]

This series of lessons is both a continuation of the How to (Finally) Learn Your Fretboard series, as well as […]

If you’re still with me, we’ll dedicate this part to summarizing and consolidating what we’ve learned so far into a […]

In Part 7 of our series on how to learn the fretboard, we turn our attention to major chords and […]

I’m constantly looking for more practical ways to learn things on guitar, especially the tedious stuff like scales, arpeggios and […]

I see this a lot with beginners and experienced guitarists alike. Most of us start out by learning a selection […]

In my opinion, the hallmark of good blues soloing is the ability to seamlessly blend major and minor scales/licks/runs to […]

Triads are incredibly useful on guitar, not only for building chords and arpeggios, but for soloing too, and especially soloing […]