Ear training, especially for guitar, is probably the least interesting thing to do on the instrument, though perhaps one of the most important skills to practice. So, instead of tedious interval exercises, I’ve come up…
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It’s fairly common for intermediate players to get stuck in a pentatonic rut. The problem is usually not the pentatonic scale itself… I mean, just because you’re stuck in a pentatonic rut, it doesn’t mean…
Leave a CommentYou’ll find a ton of information on guitar improvisation on the internet, so much so that sifting through it all would probably take you several lifetimes. There are many ways to approach guitar improvisation and…
Leave a CommentWe all get stuck in scale ruts every now and again, especially where the modes are concerned. There’s a lot more music to be made out of your average mode than you can probably see…
Leave a CommentI have a fascination for the number 5 and everything that’s associated with it. In guitar terms this translates to pentatonic scales, running right from those early days of discovering the intoxicating possibilities of the…
Leave a CommentIf you’re a fan of fusion improvisation, Wayne Krantz is essential listening, especially live and in the 55 Bar in New York. Wayne is one of a handful of players who are unapologetically themselves, have…
Leave a CommentI really admire players that can do all that neo-classical shred, sweep-picking and whatnot because if there’s one thing I can’t and will probably never be able to do on a guitar, it’s neo-classical shredding.…
Leave a CommentThe Dorian scale makes for an interesting twist you can use in a 12-bar blues. Yes, that’s right, you can use the Dorian scale over the I and IV chords of your average 12-bar blues…
Leave a CommentThere are literally endless things you can do with pentatonic scales in music and especially on the guitar. We all love them, so why not milk them for all they’re worth? The idea of modal…
Leave a CommentWhat we need to do now is approach our arpeggios, scales and modes through formulas instead of any kind of time-consuming patterns or shapes. The four-note clusters we’ve learned are the basis of many of…
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